Cosey Fanni Tutti, whose music and art career began in 1969, is a respected artist and musician of worldwide renown – for her Art, her work in the sex industry, as co-founder of Industrial music and Throbbing Gristle, and her pioneering electronic music solo and as Chris & Cosey, Carter Tutti and Carter Tutti Void.
Her work includes her seminal Magazine Actions from the late 70s, performances with COUM Transmissions (1971-1976), sound experimentations with Throbbing Gristle (1976-2010, back catalogue re-issues are currently being released through Mute) and continuing musical exploration, solo or under the aegis of Chris & Cosey, Carter Tutti and Carter Tutti Void, comprise Cosey’s diverse and comprehensive practice.
Cosey’s work has featured in institutional exhibitions around the world for over three decades, significantly and more recently this includes 2018’s A Study in Scarlet, Le Plateau – Frac Ile-de-France, Paris; 2017’s solo show at Cabinet Gallery London; 2017’s Coum Transmissions retrospective which opened Hull UK City of Culture 2017 events, 2016’s Black Sheep Feminism, Dallas Contemporary, USA; Tate Britain’s new collection display, Has the Film Already Started?, 2011; Pop Life: Art in a Material World, Tate Modern, London, 2009; Kyoto Triennial, Japan, 2008; Panic Attack, Barbican, London; WACK! Art & The Feminist Revolution, MOCA, Los Angeles, 2007 and It’s Time for Action, Migros Museum, Zurich, 2006.
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