Licensing

‘Trees’ by FINAL used in The North Face’s short film “Pulp”—

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Max Richter’s ‘On The Nature of Daylight’ used in ITV promo for new drama “The Patriarch”—

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TVAM’s ‘Psychic Data’ used in Kent and Curwen’s Autumn Winter 2019 show online video—

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‘Into My Arms’ by Nick Cave used in Netflix series “After Life”—

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A Certain Ratio’s ‘Bootsy’ used in episode of “Sex Education”—

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‘Isn’t It Wild’ by Du Blonde used in FX series “Better Things”—

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‘I Live Now As A Singer’ by Julie Byrne used in Episode of “Good Girls”—

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‘United’ by Throbbing Gristle used in feature film “Le Choc Du Futur”—

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Works by Simon Fisher Turner and Johann Johannsson used in “Serendipity” documentary—

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Laibach’s ‘The Whistleblowers’ used in “Propaganda – The Art of Selling Lies” documentary—

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Miranda Sex Garden’s ‘Play’ used in feature film “Far From The Apple Tree”—

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‘Zombie’ by Swet Shop Boys appears in Prime Video’s “Hanna”—

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Various tracks by Christina Vantzou used in score to Uli Schueppel’s film “Der Atem”—

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‘2020’ by Suuns used in BBC drama “Clique”—

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‘Winter 3’ by Max Richter used in trailer for feature film “Captive State”—

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Penny and The Quarters, Little Alice and Liars tracks used in Only You feature film—

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‘Who Are You?’ by Hannah Peel used as the theme to BBC drama “The A List”—

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Max Richter’s ‘Transformation’ used in trailer for “Mary Queen of Scots” feature film—

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Visionist’s ‘First Love’ soundtracks advert for new brand Collusion—

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Max Richter’s ‘Berlin By Overnight’ soundtracks Givenchy’s “Interdit” campaign—

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Carla Dal Forno’s ‘What You Gonna Do Now?’ Featured in HBO’s “The Truth About Killer Robots”—

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Sharon Van Etten’s ‘The End of The World’ soundtracks Dominos Pizza advert—

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A Certain Ratio’s ‘Knife Slits Water’ appears in BBC Documentary “Can You Feel It – How Dance Music Conquered The World”—

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Max Richter’s ‘Winter 3’ appears in Michael Moore’s new documentary “Farenheit 11/9”—

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Max Richter soundtracks new HBO series ‘My Brilliant Friend’ based on the novel by Elena Ferrante—

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Jóhann Jóhannsson’s ‘Karen býr til engil’ used in trailer for new Netflix film “22 July”—

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‘On The Nature of Daylight’ by Max Richter used in episode of Castle Rock—

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‘Smoke Signals’ by Phoebe Bridgers used in episode of “The Innocents”—

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‘Collapsing New People’ by Fad Gadget used in HBO series Succession—

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‘Closer’ by Resina used in Ruiner video game—

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Kira Kira’s ‘Soothe’ used in Anthropocene documentary—

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Doe Paoro’s ‘Walking Backwards’ soundtracks Aquascutum’s AW18 campaign—

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‘Good Night, Day’, ‘The Jewish Cemetery on Moellegade’ and ‘McCanick’ by Johann Johannsson feature in Mary Magdalene—

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Various tracks by Jóhann Jóhannsson used in Feature Film “The Mercy”—

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Max Richter’s ‘Genesis Of Poetry’, ‘Modular Astronomy’, ‘Tuesday’ and ‘Iconography’ Featured in Genesis 2.0 Feature Film—

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Juno Reactor’s ‘Conquistador I’ And ‘Conquistador II’ Feature In Jean-Claude Van Johnson—

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Max Richter’s ‘Vladimir’s Blues’ soundtracks Verizon’s Superbowl LII advert—

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Tracks by Numero Group artists Bernadette Carroll, The Belles and The Monzas used in ‘The End of the F***ing World’—

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Tracks by Jens Lekman, Slowdive, Alex Cameron, Richard Swift, Generationals and Duke Garwood used in Netflix series ‘Lovesick’—

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‘War Anthem’ by Max Richter used in WWF’s Elephants Christmas advert—

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Max Richter’s ‘On The Nature Of Daylight’ soundtracks Christie’s Auction House Advert for Salvator Mundi—

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‘No Dog’ by Esben & The Witch used in Rise of the Footsoldier 3: The Pat Tate Story—

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Fad Gadget’s ‘Back To Nature’ and Robert Görl’s ‘Darling Don’t Leave Me’ featured in Season 2 of Stranger Things—

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Max Richter’s score from Citizen Gangster used in trailer for Darkest Hour—

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Max Richter’s Path (7676) and Path 17 (Before The End Of Daylight) used in new Assassin’s Creed: Origins trailer—

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Various Tracks by Kira Kira Featured in “Dream Corp LLC” TV Show—

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‘Spring 1’ by Max Richter used in trailer for The Death and Life of Marsha P. Johnson—

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Tracks by Sleepy Sun, JK Flesh and Godflesh used in “1%” Film—

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‘Lunacy’ by Swans used in Trailer for “1%” Film—

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Public Service Broadcasting’s ‘Progress’ used in CDP Climate Change Promotional Video—

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‘Red Sex’ by Vessel Used in “The Sinner”—

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Fad Gadget’s ‘Back To Nature’ and Cabaret Voltaire’s ‘Low Cool’ Used In Raf Simmons SS 2018 Menswear Collection Film—

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“Carrion Flowers” by Chelsea Wolfe soundtracks new Jaguar commercial—

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“The Whistleblowers” by Laibach used in Ford commercial—

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Max Richter scores Nosedive episode of Charlie Brooker’s Netflix series Black Mirror—

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“Red Sex” by Vessel soundtracks Park Chan-wook’s The Handmaiden trailer—

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Helene Smith’s ‘Pain In My Heart’ soundtracks Bupa television advert—

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‘Love Is All’ by Tallest Man On Earth soundtracks Lipton’s Christmas Advert—

</div> <p class="dotted-small">. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . </p> </div> <div class="element-medium"> <div class="inside"> <div class="title-small"> Underworld’s “Born Slippy” soundtracks the new T2: Trainspotting trailer— </div> <p><iframe width="240" height="135" src="https://www.youtube.com/embed/EsozpEE543w" frameborder="0" allowfullscreen>

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Nick Cave and Warren Ellis tracks used in Ron Howard’s “Mars”—

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“A Pile of Dust” by Jóhann Jóhannsson used in Alexander McQueen Spring/Summer 2017 runway show—

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“Seasons” by Future Islands in Hostel World ‘Skinny Dipping’ commercial—

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“Under The Pressure” by The War On Drugs in Sky’s ‘The Five’—

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“Higgs Boson Blues” by Nick Cave & The Bad Seeds in Quantum Break video game—

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Add N to (X)’s “Hey Double Double” in All Saints ‘Remote/Control’ fashion film—

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Liars’ tracks used in ABC’s ‘How to Get Away With Murder’—

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“Pro Anti Anti” by Liars in Lucifer—

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Tracks by White Hills used in Uncle Howard—

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“A Part Of It” by We Were Promised Jet Packs in Belhaven commercial—

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“Screen Shot” by Swans in The Frankenstein Chronicles trailer—

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Underworld’s “Peggy Sussed” in Gillette ‘Mach 3’ commercial—

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“Lunacy” by Swans in Macbeth trailer—

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“This Is How It Feels” by Inspiral Carpets in This Is England ’90—

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Underworld’s “Dinosaur Adventure 3D” in You, Me & The Apocalypse—

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Eluvium tracks in Listen To Me Marlon documentary—

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King Khan tracks used in Beck’s Last Summer—

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“The Other Side of Mt. Heart Attack” by Liars in Before You Know It documentary—

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“Lovely Creature” by Nick Cave & The Bad Seeds in An Open Secret—

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Max Richter’s “Winter 1” used as theme tune for Netflix Original series ‘Chef’s Table’—

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Underworld tracks used in Russel Brand’s ‘The Emperor’s New Clothes’—

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“Waterfall” by Torres in The Widowers—

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“The Last Boat’s Leaving” by Bachelorette used in Haven—

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Jóhann Jóhannsson’s “Escape” in Foxcatcher—

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Ben Frost soundtracks Sky Atlantic’s ‘Fortitude’—

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“Anima” by Vessel in BMW ‘Curiosity’ commercial—

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Bishop Allen’s “Bread Crumbs” in Topshop’s ‘3 Ways to Wear’ film—

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Nick Cave & The Bad Seeds soundtrack ‘20,000 Days On Earth’—

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“Dead Heat” by Barry Adamson included in ‘Little Big Planet 3’ video game—

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“Brats” by Liars in The Originals—

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“A Ring On Every Finger” by Liars in Legends—

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“Hate Me Soon” by Yellow Ostrich in E4’s ‘Glue’—

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“Babes” by Icky Blossoms in Sin City 2 Trailer—

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Ben Frost’s “Seaworld I” in Prada’s ‘Fall/Winter 2014’ campaign—

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Jóhann Jóhannsson’s “Escape” in Uncharted 4 video game trailer—

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“Vladimir’s Blues” by Max Richter in BMW i8 commercial—

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“Chains” by Torres in MTV’s Catfish—

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The Gentlemen Losers tracks used in Preservation trailer and film—

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Nitzer Ebb and Miranda Sex Garden included in The Following—

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Polly Scattergood’s “Falling” in Grey’s Anatomy—

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“Bullet Train” by Gardens & Villa in Topshop’s ‘5 Ways to Wear’ film—

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“Satjban” by Venetian Snares in House of Cards—

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“Wet And Rusting” by Menomena in Ikea ‘Forest’ commercial—

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Land Observation’s “Appian Way” in The Lifeguard—

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Nick Cave and Warren Ellis’ “Martha’s Dream” in Bulleit Bourbon commercial—

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“Pearl’s Girl” by Underworld included in ‘Gran Turismo 6’ video game—

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Josh T. Pearson’s “Woman When I’ve Raised Hell” used in The Counselor—

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Nick Cave Soundtracks Hit BBC Drama Series ‘Peaky Blinders’—

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Max Richter tracks used in HBO documentary ‘Prison Terminal: The Last Days of Private Jack Hall’—

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“Escape” by Jóhann Jóhannsson in Prisoners—

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Nick Cave & The Bad Seeds’ “Into My Arms” featured in Richard Curtis film ‘About Time’—

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“This Is How It Feels” by Inspiral Carpets in The World’s End—

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Max Richter’s “Running” in Southcliffe Trailer—

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Nick Cave & The Bad Seeds’ “We Real Cool” in Jack & Jones Campaign—

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Buzzcocks’ “Boredom” in Sainsbury’s Commercial—

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“Lady Shave” by Fad Gadget in Southland—

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“Hyper Worm Tamer” by Grinderman in Nike commercial—

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“A Ring On Every Finger” by Liars in Californication—

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“The Box” by Fad Gadget in The Americans—

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DM Stith’s “Curtain Speech” in The Impossible trailer—

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Underworld direct music for the London 2012 Olympic opening ceremony—

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Max Richter’s “On The Nature of Daylight” used in The Secret World trailer—

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Brakes & Mount Washington included in ‘Sleeping Dogs’ video game—

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Paul Oakenfold’s Big Brother UK TV Theme—

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Barefoot version of ‘Born Slippy’ used in Galaxy Chocolate commercial—

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Brakes: All Night Disco Party used in Tommy Hilfiger Campaign—

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Johann Johannsson: “The Sun’s Gone Dim and The Sky’s Black” in Battle Los Angeles Trailer—

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Josh T. Pearson’s “Country Dumb” used in Seven Psychopaths—

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